Avion en papier
Origami Instructions Free Online Diagram also shows the results graphically of moving away from the 'purest' form of Origami in all the eight directions. In some cases I possess marked the art as 'open-ended', for example paper-cuts.
By this I mean that we no longer have a closed system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable that it must be the closed-system through which can some- how break, which is real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well founded for Origami.
Kent du Pre has done Origami Flower Bouquet such work on Symmetric figures such as stars from which flowers can be collapsed. Irregular figures have appeared occasionally, but the most extreme form occurs in Paper Miracle with Rolf Harris's models. Silhouettes have no restrictions in the Origami sense and are of course carefully related to paper trimming. In its simplest form cuts are made earlier to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive width. The most recent mention of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.
Uchiyama is Origami Crane reported as acquiring a patent in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are packed with slitting to achieve hearing or a tail or even legs. Perhaps one of the most celebrated examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to provide enough points for the hip and legs. Rohm folded his Festival pony without cuts but the technique is then far more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the complexities of a model achieved solely by folding.
Inside a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling That is now usual in animal folds to call for a final modeling particularly if foil has recently been used and one can be certain of the material remaining in place. A modern day example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to THREE DIMENSIONAL insists on any modelling following the folding The technique of wetting the paper seems to be Japanese in origin was
demonstrated by Yoshizawa at a Convention in Liverpool. Another method of moist moulding using paste in the preparation is discussed by Alice Gray she was shown it by Yoshizawa during a visit to Japan. The folds tend to be gentle and we are approaching statue rather than Origami.
Bateau en papier
The particular associated arts are Weaving and Macrame which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded together but usually opened at the conclusion to show the multi-layers Origami Heart Easy usually with different colours. In flower folding and possible doll-making the multi-layer strategy is exploited for its own sake with little or no folding engaged. Multi-Part Isao Honda (15) was probably the first to publish techniques involving 2 separate sheets of papers each folded to symbolize some part of the pet and then brought collectively. The theory may well be traditional; if not in the manner Honda uses it - see for example the Pagoda in Paper Miracle. Recently kits have made an appearance for folding a dragon from a number of squares of different sizes.
Comment faire un avion en papier
Within the most extreme combinations of water and document we are, naturally , in the world of fun which is evidently an open-ended art. DecoratingThe most basic step from a single coloring is one side female and one white or plain. A great package of modern Origami exploits this colour difference. A new delightful example is Joan Homewood's Robin. We can use the texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which count after deciding on the best pattern and cutting his material to get the colour exactly where he wants them. A more restricted form Origami Crane Drawing of decoration occurs in Japanese papers which are already printed with a design suited to a special model. The end of this process is evidently the decoration of the last model and so into the decorative art proper which is open-ended. Lengthening Simply by stretching our square we obtain rectangles then ribbon and finally string.
Fleur en papier
The trimming out of holes and so forth. to indicate eyes etc is sometimes found in Japanese books and we are obviously dealing with a method which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Origami Easy Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). The last step in the slitting or cutting is paper-cutting, some of the finest examples are likely from China and evidently here we have an open-ended Talent. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its most basic form we may use stuff, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or credit card. The most unusual form of 'display mechanics' that I actually am knowledgeable about is by Toyoaki Kawai.