By this I mean that we no longer have a closed system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable that it must be the closed-system through which can some- how break, this is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well founded for Origami.
Avion en papier
Origami Instructions Free Online Plan also shows the results graphically of moving away from the 'purest' form of Origami in each one of the eight directions. In some cases I possess marked the art as 'open-ended', for example paper-cuts.
Uchiyama is reported as Bateau En Papier Maché obtaining a patent in 1908 for 'KOKO'. style origami which appears to be the same in concept. Japanese books are filled with slitting to achieve ears or a tail or even legs. Perhaps one of the most celebrated examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to offer enough points for the hip and legs. Rohm folded his Festival pony without cuts but the technique is then much more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the Origami Crane Tattoo complexities of a model achieved exclusively by folding.
Kent du Pre has done such focus on Symmetric figures such as stars from which flowers can be collapsed. Irregular figures have made an appearance occasionally, but the most extreme form occur in Paper Wonder with Rolf Harris's models. Silhouettes do not have restrictions in the Origami sense and are of course closely related to paper slicing. In its simplest form cuts are made prior to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive width. The most recent mention of the techniques is by Toshie Takahama who refers to
In a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling This is now usual in animal folds to call for a final modelling particularly if foil has recently been used and one can make sure of the material remaining in place. A modern example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3 DIMENSIONAL insists on any modelling following the folding The thought of wetting the paper is apparently Japanese in origin was demonstrated Avion En Papier Simple A Realiser by Yoshizawa at a Convention in Birmingham. Another method of moist moulding using paste in the preparation is talked about by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The retracts tend to be soft and we are approaching statue rather than Origami.
Fleur en papier
The trimming out of holes etc. to indicate eyes and so forth is sometimes found in Japanese books and we are obviously dealing with a method which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri
(which means crest-making). The last step in the slitting or cutting is paper-cutting, some of the finest examples are most likely from China and evidently here we have an open-ended Art form. Supporting A way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its easiest form we might use glue, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or cards. One of the most unusual form of 'display mechanics' that I actually am knowledgeable about is by Toyoaki Kawai.
Bateau en papier
The particular associated arts are Le Bateau En Papier Qui Flotte Sur L'eau Weaving cloth and Macrame which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded together but usually opened at the end to show the multi-layers usually with different colors. In flower folding and possible doll-making the multi-layer technique is exploited for the own sake with little or no folding involved. Multi-Part Isao Honda (15) was probably the first to create techniques involving 2 separate sheets of document each folded to symbolize some part of the animal and then brought Bateau De Papier Origami together. The idea may well be traditional; if not in how Honda uses it - see for example the Pagoda in Paper Magic. Recently kits have came out for folding a dragon from a amount of potager of different sizes.
Comment faire un avion en papier
Within the most extreme combinations of water and document we are, of course , in the world of papier-mache which is evidently an open-ended art. DecoratingThe easiest step from your single color is one side female and one white or plain. A great package of modern Origami intrusions this colour difference. A new delightful example is Mary Homewood's Robin. We can use Avion En Papier Simple Et Efficace the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which depend after selecting the most appropriate pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design ideal for a special model. The end of this process is evidently the decoration of the final model and therefore into the decorative art proper which is open-ended. Lengthening By simply stretching our square we obtain rectangles then bows and finally string.